Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure  Related Paintings of FABRITIUS, Carel :. | Young Girl Plucking a Duck | Self-Portrait dfhm | The Beheading of St. John the Baptist dg | The Goldfinch (mk08) | Self-Portrait sfgh |
Related Artists:
Bernhard Folkestad
1879 - 1933) was a Norwegian essayist and painter. He was born in London, where his father assisted at the Norwegian Seamen Mission. Among his painting teachers were Kristian Zahrtmann and Laurits Tuxen. His paintings Mørkeloftet from 1905, and Høns i høstsol and Grønnsaker from 1906 are all located in the National Gallery of Norway. Among his books are Svingdøren from 1926, Sol og morild from 1929, and Gullfisken from 1933.
Georg Saal
Germany (1818 -1870 ) - Painter
Josef Danhauser
Josef Danhauser (August 19, 1805, Laimgrube (now a part of Mariahilf or Neubau) - May 4, 1845) was an Austrian painter, one of the main artists of Biedermeier period, together with Ferdinand Georg Waldmeller, Peter Fendi, among others. His works, not very appreciated in his days, dealt with very moralising subjects and they had a clear influence of William Hogarth. Joseph Danhauser was born in Vienna in 1805, the eldest son of sculptor and furniture manufacturer Joseph Ulrich Danhauser and his wife Johanna (nee Lambert). He took his first painting lessons with his father and he later assisted the Vienna Academy of Fine Arts. He studied with Johann Peter Krafft and made his first exhibition 1826. Invited by Johann Ladislaus Pyrker, patriarch of Venice, he visited the city of Doges, where he started to study the Italian masters. He came back to Vienna via Trieste in 1827, visiting Prague. That very year he painted Ludwig van Beethoven's death mask, roughly 12 hours after his death and a water-colour representing his deathbed. In 1828, he spent some time in Eger, with an invitation of this Hungarian city archbishop Pyrker. He solicited him for some pictures for the gallery of the Archdiocese. After his father's death in 1829, his brothers and he managed his furniture factory during the Biedermeier movement, being the precursors of modern design. That made him put his painting career aside. In 1833, he responded to a second invitation from Eger's archbishop and he painted The martyr of Saint John for a new basilica in the city and he received the Vienna Academy prize for his picture Die Verstobung der Hagar and he specialised in Genre works. In 1838, he was appointed vice-rector of the Academy and married Josephine Streit, who was the daughter of a physician and with whom he had three children, Josef, Marie and Julie, born in 1839, 1841 and 1843 respectively. Josef Danhauser was appointed professor of historical Painting at the Academy in 1841, but he left this occupation and he travelled around Germany and the Netherlands with the textile maker, art aficionado and art sponsor Rudolf von Arthaber. In this journey, he was very interested in the Dutch School and the format of his works was littler. He died of typhus in Vienna in 1845. They named a street with his name in Vienna in 1862.